The Aesthetic Dissonance of Industrial Wind Machines
September 28, 2005
by Jon Boone
In a paper recently published on line on September 28,2005 in "Contemporary Aesthetics", Jon Boone responds to Yuriko Saito's "Machines in the Ocean: The Aesthetics of Wind Farms" by arguing that Saito's search for the right aesthetic justification for windplants sited in the ocean (as well as on shore) is predicated on a false assumption, i.e. that industrial wind power is both benign and effective.