Library filed under Impact on Views from USA

Wind farm on Little Equinox - Pretty or pretty unsightly?

Where can the project be seen from? Will it be in the viewer's foreground or background? Will the viewer likely to be stationary or moving? Will the project offend the sensibilities of the average person? When viewed as a whole, is the project offensive or shocking, because it is out of character with its surroundings, or will it significantly diminish the scenic qualities of the area? These will be addressed by the Public Service Board.
13 Jan 2006

An open letter to Sen. Frank Wagner of Virginia Beach

Take us up on this offer and we believe you will come to understand why most Highlanders have reached the conclusion this proposal is more about profit for a very few people at taxpayers’ expense than a viable source of new energy, and that it will destroy much more than the views we now enjoy. It will lead to the destruction of our natural heritage which, as outlined in our comprehensive land use plans, is the foundation of our promising future.
13 Jan 2006

Eternal Impact - Commercial Wind Farm Would Damage Maine Wilderness

The costs are “the loss of the mountains,” said Dr. Dain Trafton of Phillips, Maine, speaking for the friends group to the Original Irregular newspaper. “Is it worthwhile introducing this huge industrial plant into these beautiful mountains when, in fact, very little power will be produced, very few emissions will be avoided, and very little economic benefit will come to the area?”
25 Dec 2005

The Aesthetic Dissonance of Industrial Wind Machines

Aesthetics_of_dissonance_1__thumb In a paper recently published on line on September 28,2005 in "Contemporary Aesthetics", Jon Boone responds to Yuriko Saito's "Machines in the Ocean: The Aesthetics of Wind Farms" by arguing that Saito's search for the right aesthetic justification for windplants sited in the ocean (as well as on shore) is predicated on a false assumption, i.e. that industrial wind power is both benign and effective.
28 Sep 2005

The Aesthetic Dissonance of Industrial Wind Machines

Aesthetics_of_dissonance_1__thumb In a paper recently published on line on September 28,2005 in "Contemporary Aesthetics", Jon Boone responds to Yuriko Saito's "Machines in the Ocean: The Aesthetics of Wind Farms" by arguing that Saito's search for the right aesthetic justification for windplants sited in the ocean (as well as on shore) is predicated on a false assumption, i.e. that industrial wind power is both benign and effective.
28 Sep 2005

Wind Power Facility Siting Case Studies: Community Response

National_wind_coordinating_committee_siting_studies_thumb BBC Research & Consulting's 2005 report for the National Wind Coordinating Committee that studies 9 wind plant sitings in an effort to identify circumstances that distinguish welcomed projects from projects that were not accepted by communities.
1 Jun 2005

Chautauqua County Citizens for Responsible Wind Power to NYS Energy Research and Development Authority

11-11-04cccrwpresponse_thumb In August 2004, Chautauqua County Citizens for Responsible Wind Power submitted a letter to the NYSERDA Board of Directors outlining our concerns about NYSERDA’s involvement with the proposed Chautauqua County wind energy project. Mr. Vincent DeIorio initially responded to us in a letter dated August 24, 2004. Mr. Peter Keane then provided a supplemental response in his September 29, 2004 letter. We find that both of these letters do not address the core issues outlined in our August 2004 letter. The following summarizes our concerns in context of the responses provided by NYSERDA to date:
11 Nov 2004

http://www.windaction.org/posts?location=USA&p=17&topic=Impact+on+Views
back to top